In Florida, film industry is doing well

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First created under then-Governor Jeb Bush, the FFEAC is made up of former legislators, business executives, entertainment industry veterans, and community leaders volunteering to advise the Department of Public Opportunity on how to best develop, market, promote, and provide services to Florida’s entertainment industry. (Image Courtesy: Florida Politics).

House Bill 7039, as well as Senate Bill 1636, went before the Florida Legislature at this year’s Legislative Session, threatening to repeal the Florida Film and Entertainment Advisory Council, according to Florida Politics. Even though the Legislature declined to approve a new film production program for 2020, the film industry successfully spoke out against HB 7039 with an amendment to the bill sparing the FFEAC which now awaits Governor Ron DeSantis’s signature. Floridians in the trade earn an average of eighty-two thousand dollars per year, which is two-thirds greater than the state average for all jobs, not to mention the businesses and tourism supported by film and television productions, raking in tax revenues for the government.

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Website lists ten greatest thrillers of all time

 

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The arbitrariness of truth and the infinity of human cruelty are key themes throughout thrillers, and shadows, dreams, crime, paranoia, conspiracy, and suspicion are key motifs. (Image Courtesy: The Manual).

 

The “thriller” is difficult to differentiate from the film noir, horror, action, or suspense, according to The Manual. In an effort to define the parameters of the genre, writer Eric Shorey listed some of the best movies considered to be thrillers. The website’s ten best thrillers are: Jonathan Demme’s The Silence of the Lambs (1991); Paul Verhoeven’s Basic Instinct (1992); Christopher Nolan’s Memento (2000); Bong Joon-ho’s Parasite (2019); David Lynch’s Mulholland Drive (2001); Park Chan-wook’s Lady Vengeance (2005); Rob Reiner’s Misery (1990); Nicholas Winding Refn’s Drive (2011); Sir Alfred Hitchcock’s Spellbound (1945); as well as Stanley Kubrick’s Eyes Wide Shut (1999).

“Ready or Not” directors attached to “Scream” reboot

Spyglass Media Group is rebooting Wes Craven’s Scream (1996) in partnership with Matthew Bettinelli-Olpin and Tyler Gillett, who directed Ready or Not (2019), according to Variety. Bettinelli-Olpin and Gillett are part of filmmaking group Radio Silence with Chad Villella, who will serve as one of the producers behind the untitled Scream reboot; Radio Silence produced V/H/S (2012), Devil’s Due (2014), and Southbound (2015). As for Spyglass, they were organized a year ago with former MGM executive Gary Barber and Lantern Entertainment co-presidents Andy Mitchell and Milos Brajovic, who took over the rights to Scream from the Weinstein Co. in 2018.

How coronavirus is infecting an already sickly film industry

The accelerated spread of Covid-19 is crippling the entertainment industry, perhaps more so than any other, because the theatergoing experience as we know it is already vulnerable from the advent of streaming services, according to Quartz. After all, studios, as well as production companies, own offices and sets all over the world, and you can’t work from home on a film shoot. While this year’s global box office is projected to underperform (having lost as much as five billion dollars so far), if movie theaters in China and other major markets remain closed all year, they may not open again.

Quentin Tarantino says his final release will be a “big” climax

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(Image Courtesy: Uproxx).

At a press conference in Moscow for his Once Upon a Time in Hollywood (2019), Quentin Tarantino said Wednesday his tenth and final film will function as a “show-stopping climax” if you read his other nine movies as one story, according to Uproxx. Describing his filmography as “boxcars connected to each other,” the auteur did not mention whether his R-rated Star Trek screenplay will mark his grand finale, or if he will bow out with an original idea. In an interview with GQ Australia, Tarantino told the publication that while he plans to retire from theatrical filmmaking, he will still write books and plays.